Ramping up its export juggernaut and taking full advantage of WTO entry, China’s economy in the first decade of the new millennium was “boom with no bust.” The information revolution fed more growth, as hundreds of millions of Chinese came online. But the Internet also became a forum for discontent, and the new leadership team of Hu Jintao and Wen Jiabao acknowledged growing environmental and social justice concerns with their call for a more harmonious society. Then, as the credit crisis in the US spread into a global economic crisis, China’s export-dependent growth appeared in jeopardy, and fears of a Chinese crash surfaced. But, as in 1998, China weathered the storm, and emerged in 2010 as the world’s largest exporter, largest foreign creditor, and fastest growing major economy, poised to soon surpass Japan and eventually eclipse the United States as the biggest economy on the planet.
Ai Weiwei, born in 1957, is the designer of Beijing National Stadium (colloquially known as the Bird's Nest) and an outspoken advocate of political reform in China. Ai regularly speaks out against the one-party state and the lack of political reform in China. During the Cultural Revolution, his family was sent to Xinjiang. Ai returned to Beijing in 1976, and founded the avant garde art group "Stars" in 1978, which disbanded in 1983. Ai spent time in New York City, from 1981-1993, at the Parsons School of Design. In 1993, Ai returned to Beijing to be with his ailing father. He helped to establish Beijing's "East Village" and put together a series of books on China's underground art movements: the Black Cover Book, White Cover Book, and Grey Cover Book. Ai is currently working on a project to find the names all the people who lost their lives in the 2008 Sichuan earthquake.
I feel that on this issue, I am practically a genius. I immediately felt, as soon as I finished designing that crappy Bird's Nest, that it would become the site for a very disgusting event. It was instinctive, because I didn't know for sure that it would happen this way, nor did I wish for it. But as it turned out, my instinct was correct. It was even more disgusting than I'd imagined. I think today most people can understand my actions then, which at the time seemed very strange. They would ask, "What's wrong with this guy?"
Of course, I'm talking about Chinese people. Because everyone who experienced the Olympics in Beijing, when they think back to it today, would agree that it's nothing but a nightmare. It's an extremely strange and surreal nightmare. It didn't, even nearly, have the effect that it should have had, because it wasn't a product of a democratic society. It did not lend any productive or creative power to social reform or democracy, it was merely used as a PR tool by a very corrupt political power.
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